![]() ![]() “Before We Proceed, Why Is It Called The Melodic Minor Scale?” In a nutshell, the melodic minor scale is a natural minor scale modified with chromatic or foreign notes. …which are foreign to the key of A minor. …contains a modification of the sixth and seventh tones from F and G: …is the traditional scale of the key of A minor, hence, it outlines all the notes in the key of A minor. The term chromatic is used to describe an idea (be it a note, scale, interval, chord, or chord progression) that is foreign to a given key. Simply put, the melodic minor scale is a chromatic variant of the natural minor scale. The natural minor scale has two chromatic variants – the harmonic minor and the melodic minor scales. ![]() The traditional scale of the major key is the natural major scale, while that of the minor key is the natural minor scale. The traditional scale of a key gives you an outline of the notes in that key. A Note On The Melodic Minor ScaleĮvery key (whether major or minor) has its traditional scale. I’ll be explaining why the ascending form of the melodic minor scale differs from its descending form, but before we do that, let’s do a review on the melodic minor scale. The only difference between both may just be the order of the notes. Most scales on the piano have an ascending form that is related to the descending form. The Versatile Musician is an all-in-one membership that combines video lessons, print material and live support to help you level up your skills and thrive as a musician and music teacher.If you want to know why the ascending form of the melodic minor scale differs from its descending form, then this lesson is for you!. Ready to learn some Solfege and level up your musicianship! Check out Crash Course in Solfege! Want to learn how to play by ear? Check out this video to learn more. ✅ Learn music faster and retain it better Solfege is a powerful tool that is often used for singers, but is amazing for musicians of any level. By using solfege, we’re actually describing that function.īy singing the chromatic solfege scale ascending, we are cementing those intervals in our ear so we can hear and sing them with confidence. The reason that we use solfege and not just note names is because we want to describe how the notes function and depending on what degree of the scale we’re on, that note has a function and a sound. If you’re in the key of C, then C is ‘do’. If you’re in the key of A, then A is ‘do’. In movable ‘do’ solfege, whatever key we are in, that note is ‘do’. Solfege is a technique of naming the notes in a way that describes their function. In this video I will share solfege practice in major. I sing it in several different keys, droning the Do (the tonic or root note) as I play. In this video, I sing you up and down the major scale in Moveable Do solfege using the Kodaly hand signs. This is not only a pathway to better ear training, but also leads to playing songs by ear, remembering melodies and chords and will improve your songwriting and improvising. Solfege helps you to build strong ears so you can hear and imagine pitch better. ![]() I will take you through an effective method to break down this challenging scale so you can sing it perfectly in tune every time. In this video, we will sing the CHROMATIC SOLFEGE SCALE ASCENDING. ![]()
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